Here are some screen caps of how my website for Bowdacious Designs is coming along. I tend to be picky on page layout and as I have stated before I wanted to keep it clean and simple. I have two clickable links being Instagram and Facebook and my email as contact information. I am still working on what background I would like to have and still playing around with the placement of where in face to place my logo. The one section under the contact links is going to be a small bio about myself and why I create photo-manipulations aka manips. I love the idea of having some of my favorite pieces displayed right on the page and I may add one more link so I can upload the rest of the manips I have done. As I keep working on it I will balance the page out more and possibly put y logo on the upper right hand side of the page and keep my photo on the left hand. I am tending to lead towards my first font choice for Bowdacious Designs as it acts as a sister to my logo.
John Stezaker Stezaker in his marriage series, focuses on the concept of portraiture, both as art historical genre and public identity. Using publicity shots of classic film stars, Stezaker splices and overlaps famous faces, creating hybrid 'icons' that dissociate the familiar to create sensations of the uncanny. I look at his work as the earlier forms of photo-manipulations, one reason why I relate to it. Stezaker's style is very simple when you first look at it, though when you look deeper on how he matched the male and female features are stunning. It is also creepy on how alike certain opposite gender actors and actresses actually look alike. He does mainly work with portraits, but not just their faces, he also utilizes their gestures of hand placement for insistence. The one image that sticks out to me, is the one half black and white and sephia toned. Normally when I am creating my photo-manipulations, I like to make them all one color. This way it...




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